2025
Pelowski, Matthew; Marengo, Eleonora; Cotter, Katherine N.; Kühnapfel, Corinna; Speidel, Klaus; Fingerhut, Joerg
In: Empirical Studies of the Arts, pp. 02762374251349376, 2025, ISSN: 0276-2374, 1541-4493.
@article{Pelowski2025_DesigningEmotionsMediators,
title = {Designing Emotions as Mediators of Attitude Change from Socially-Focused Art Exhibitions: Two Studies of Matched Artist/Curator Intentions and Viewer Response on the Refugee Crisis and Climate Awareness},
author = {Matthew Pelowski and Eleonora Marengo and Katherine N. Cotter and Corinna Kühnapfel and Klaus Speidel and Joerg Fingerhut},
url = {https://journals.sagepub.com/doi/10.1177/02762374251349376},
doi = {10.1177/02762374251349376},
issn = {0276-2374, 1541-4493},
year = {2025},
date = {2025-07-01},
urldate = {2025-07-16},
journal = {Empirical Studies of the Arts},
pages = {02762374251349376},
abstract = {We offer first, exploratory evidence into a design element employed by many artists and curators to maximize impacts of art interventions towards attitude change—the anticipation and design for specific emotional experiences. In two exhibitions involving refugee acceptance (Study 1,
N = 41) and climate awareness (Study 2,
N = 49), we collected curator/artist-provided sets of specific intended emotions, matched to viewer reports and to changes in attitude measures via a pre-post design. In both studies, viewers felt more intended emotions and were proficient at identifying how they were intended to feel with, in Study 1, significant relation between the former and agreement that the exhibition had caused one to reflect. In Study 2, feeling more intended emotions, as set by the curator but not the artist, correlated to changes in nature connectedness. However, feeling more emotions in general, regardless of intentions, was consistently the strongest driver of effects, raising new implications for emotion-, arts-based-, and intervention-research.},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
We offer first, exploratory evidence into a design element employed by many artists and curators to maximize impacts of art interventions towards attitude change—the anticipation and design for specific emotional experiences. In two exhibitions involving refugee acceptance (Study 1,
N = 41) and climate awareness (Study 2,
N = 49), we collected curator/artist-provided sets of specific intended emotions, matched to viewer reports and to changes in attitude measures via a pre-post design. In both studies, viewers felt more intended emotions and were proficient at identifying how they were intended to feel with, in Study 1, significant relation between the former and agreement that the exhibition had caused one to reflect. In Study 2, feeling more intended emotions, as set by the curator but not the artist, correlated to changes in nature connectedness. However, feeling more emotions in general, regardless of intentions, was consistently the strongest driver of effects, raising new implications for emotion-, arts-based-, and intervention-research.
N = 41) and climate awareness (Study 2,
N = 49), we collected curator/artist-provided sets of specific intended emotions, matched to viewer reports and to changes in attitude measures via a pre-post design. In both studies, viewers felt more intended emotions and were proficient at identifying how they were intended to feel with, in Study 1, significant relation between the former and agreement that the exhibition had caused one to reflect. In Study 2, feeling more intended emotions, as set by the curator but not the artist, correlated to changes in nature connectedness. However, feeling more emotions in general, regardless of intentions, was consistently the strongest driver of effects, raising new implications for emotion-, arts-based-, and intervention-research.
Pelowski, Matthew; Marengo, Eleonora; Cotter, Katherine N.; Kühnapfel, Corinna; Speidel, Klaus; Fingerhut, Joerg
In: Empirical Studies of the Arts, pp. 02762374251349376, 2025, ISSN: 0276-2374, 1541-4493.
@article{pelowski_designing_2025,
title = {Designing Emotions as Mediators of Attitude Change from Socially-Focused Art Exhibitions: Two Studies of Matched Artist/Curator Intentions and Viewer Response on the Refugee Crisis and Climate Awareness},
author = {Matthew Pelowski and Eleonora Marengo and Katherine N. Cotter and Corinna Kühnapfel and Klaus Speidel and Joerg Fingerhut},
url = {https://journals.sagepub.com/doi/10.1177/02762374251349376},
doi = {10.1177/02762374251349376},
issn = {0276-2374, 1541-4493},
year = {2025},
date = {2025-07-01},
urldate = {2025-07-16},
journal = {Empirical Studies of the Arts},
pages = {02762374251349376},
abstract = {We offer first, exploratory evidence into a design element employed by many artists and curators to maximize impacts of art interventions towards attitude change—the anticipation and design for specific emotional experiences. In two exhibitions involving refugee acceptance (Study 1,
N = 41) and climate awareness (Study 2,
N = 49), we collected curator/artist-provided sets of specific intended emotions, matched to viewer reports and to changes in attitude measures via a pre-post design. In both studies, viewers felt more intended emotions and were proficient at identifying how they were intended to feel with, in Study 1, significant relation between the former and agreement that the exhibition had caused one to reflect. In Study 2, feeling more intended emotions, as set by the curator but not the artist, correlated to changes in nature connectedness. However, feeling more emotions in general, regardless of intentions, was consistently the strongest driver of effects, raising new implications for emotion-, arts-based-, and intervention-research.},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
We offer first, exploratory evidence into a design element employed by many artists and curators to maximize impacts of art interventions towards attitude change—the anticipation and design for specific emotional experiences. In two exhibitions involving refugee acceptance (Study 1,
N = 41) and climate awareness (Study 2,
N = 49), we collected curator/artist-provided sets of specific intended emotions, matched to viewer reports and to changes in attitude measures via a pre-post design. In both studies, viewers felt more intended emotions and were proficient at identifying how they were intended to feel with, in Study 1, significant relation between the former and agreement that the exhibition had caused one to reflect. In Study 2, feeling more intended emotions, as set by the curator but not the artist, correlated to changes in nature connectedness. However, feeling more emotions in general, regardless of intentions, was consistently the strongest driver of effects, raising new implications for emotion-, arts-based-, and intervention-research.
N = 41) and climate awareness (Study 2,
N = 49), we collected curator/artist-provided sets of specific intended emotions, matched to viewer reports and to changes in attitude measures via a pre-post design. In both studies, viewers felt more intended emotions and were proficient at identifying how they were intended to feel with, in Study 1, significant relation between the former and agreement that the exhibition had caused one to reflect. In Study 2, feeling more intended emotions, as set by the curator but not the artist, correlated to changes in nature connectedness. However, feeling more emotions in general, regardless of intentions, was consistently the strongest driver of effects, raising new implications for emotion-, arts-based-, and intervention-research.
Chana, Kirren; Mikuni, Jan; Rebora, Simone; Vezzani, Gabriele; Meyer, Anja; Salgaro, Massimo; Leder, Helmut
Judging Books by Their Covers: The Impact of Text and Image Features on the Aesthetic Evaluation and Memorability of Italian Novels Journal Article
In: Literature, vol. 5, no. 2, pp. 13, 2025, ISSN: 2410-9789.
@article{chana_judging_2025,
title = {Judging Books by Their Covers: The Impact of Text and Image Features on the Aesthetic Evaluation and Memorability of Italian Novels},
author = {Kirren Chana and Jan Mikuni and Simone Rebora and Gabriele Vezzani and Anja Meyer and Massimo Salgaro and Helmut Leder},
url = {https://www.mdpi.com/2410-9789/5/2/13},
doi = {10.3390/literature5020013},
issn = {2410-9789},
year = {2025},
date = {2025-06-01},
urldate = {2025-06-11},
journal = {Literature},
volume = {5},
number = {2},
pages = {13},
abstract = {Book covers are often the first component seen before a reader engages with a book’s contents; therefore, careful consideration is given to the text and image features that constitute their design. This study investigates the effects of the presentation of verbal (text) and visual (image) features on memorability and aesthetic evaluation in the context of book covers. To this aim, 50 participants took part in a memory recognition task in which the same book cover information was encoded in a learning phase, and either text or image features from the book covers acted as an informational cue for memory recognition and aesthetic evaluations. Our results revealed that image features significantly aided memory performance more than text features. Image features that were rated more beautiful were not better recognized as a result. However, differences in memory performance were found in relation to familiarity and, in a non-linear fashion, the extent to which the book’s contents could be inferred from the image’s informational content. Additionally, reading behavior was not found to influence memory performance. These results are discussed with regard to the interplay of text and image informational cues on book cover perception and provide implications for future studies.},
keywords = {},
pubstate = {published},
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}
Book covers are often the first component seen before a reader engages with a book’s contents; therefore, careful consideration is given to the text and image features that constitute their design. This study investigates the effects of the presentation of verbal (text) and visual (image) features on memorability and aesthetic evaluation in the context of book covers. To this aim, 50 participants took part in a memory recognition task in which the same book cover information was encoded in a learning phase, and either text or image features from the book covers acted as an informational cue for memory recognition and aesthetic evaluations. Our results revealed that image features significantly aided memory performance more than text features. Image features that were rated more beautiful were not better recognized as a result. However, differences in memory performance were found in relation to familiarity and, in a non-linear fashion, the extent to which the book’s contents could be inferred from the image’s informational content. Additionally, reading behavior was not found to influence memory performance. These results are discussed with regard to the interplay of text and image informational cues on book cover perception and provide implications for future studies.
Roth, Leopold Helmut Otto; Kawabata, Hideaki; Leder, Helmut
Universal, Cultural, or Individual? An Intercultural Assessment of Shared Proportions of Private Taste in Aesthetic Appreciation Journal Article
In: Empirical Studies of the Arts, pp. 02762374251334962, 2025, ISSN: 0276-2374, 1541-4493.
@article{roth_universal_2025,
title = {Universal, Cultural, or Individual? An Intercultural Assessment of Shared Proportions of Private Taste in Aesthetic Appreciation},
author = {Leopold Helmut Otto Roth and Hideaki Kawabata and Helmut Leder},
url = {https://journals.sagepub.com/doi/10.1177/02762374251334962},
doi = {10.1177/02762374251334962},
issn = {0276-2374, 1541-4493},
year = {2025},
date = {2025-05-01},
urldate = {2025-06-11},
journal = {Empirical Studies of the Arts},
pages = {02762374251334962},
abstract = {Culture constitutes a core condition for human experiences, and it was often assumed that higher collectivism/lower individualism are typical for Asian as compared to European cultures. Evidence, however, was ambiguous. In the present study (
N = 79), we studied whether collectivism in preferences is seen in terms of a relatively higher level of shared tastes. We employed beholder indices/taste typicality to compute private taste from aesthetic evaluations for different classes of visual images of Japanese and European participants. Collectivism for each participant was measured through a standard scale based on participants’ opinions towards their peer group. No difference in collectivism measure between the two populations was found. However, congruence in personal taste meaningfully differed between cultures, showing higher shared taste in Japanese participants for artistic stimuli. These effects reached beyond comparisons by individual collectivistic tendencies. While these findings require replication with larger samples, they point towards meaningful differences in group norm adherence between cultures.},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Culture constitutes a core condition for human experiences, and it was often assumed that higher collectivism/lower individualism are typical for Asian as compared to European cultures. Evidence, however, was ambiguous. In the present study (
N = 79), we studied whether collectivism in preferences is seen in terms of a relatively higher level of shared tastes. We employed beholder indices/taste typicality to compute private taste from aesthetic evaluations for different classes of visual images of Japanese and European participants. Collectivism for each participant was measured through a standard scale based on participants’ opinions towards their peer group. No difference in collectivism measure between the two populations was found. However, congruence in personal taste meaningfully differed between cultures, showing higher shared taste in Japanese participants for artistic stimuli. These effects reached beyond comparisons by individual collectivistic tendencies. While these findings require replication with larger samples, they point towards meaningful differences in group norm adherence between cultures.
N = 79), we studied whether collectivism in preferences is seen in terms of a relatively higher level of shared tastes. We employed beholder indices/taste typicality to compute private taste from aesthetic evaluations for different classes of visual images of Japanese and European participants. Collectivism for each participant was measured through a standard scale based on participants’ opinions towards their peer group. No difference in collectivism measure between the two populations was found. However, congruence in personal taste meaningfully differed between cultures, showing higher shared taste in Japanese participants for artistic stimuli. These effects reached beyond comparisons by individual collectivistic tendencies. While these findings require replication with larger samples, they point towards meaningful differences in group norm adherence between cultures.
Kathofer, Maximilian; Lamm, Claus; Leder, Helmut; Crone, Julia Sophia
Aesthetic experiences across visual perception and mental imagery: behaviorally indistinguishable, neurally distinct Journal Article
In: iScience, pp. 112588, 2025, ISSN: 25890042.
@article{Kathofer2025_AestheticExperiencesVisual,
title = {Aesthetic experiences across visual perception and mental imagery: behaviorally indistinguishable, neurally distinct},
author = {Maximilian Kathofer and Claus Lamm and Helmut Leder and Julia Sophia Crone},
url = {https://linkinghub.elsevier.com/retrieve/pii/S2589004225008491},
doi = {10.1016/j.isci.2025.112588},
issn = {25890042},
year = {2025},
date = {2025-05-01},
urldate = {2025-05-16},
journal = {iScience},
pages = {112588},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Trupp, MacKenzie D.; Howlin, Claire; Fekete, Anna; Kutsche, Julian; Fingerhut, Joerg; Pelowski, Matthew
The impact of viewing art on well-being—a systematic review of the evidence base and suggested mechanisms Journal Article
In: The Journal of Positive Psychology, pp. 1–25, 2025, ISSN: 1743-9760, 1743-9779.
@article{Trupp2025_ImpactViewingArt,
title = {The impact of viewing art on well-being—a systematic review of the evidence base and suggested mechanisms},
author = {MacKenzie D. Trupp and Claire Howlin and Anna Fekete and Julian Kutsche and Joerg Fingerhut and Matthew Pelowski},
url = {https://www.tandfonline.com/doi/full/10.1080/17439760.2025.2481041},
doi = {10.1080/17439760.2025.2481041},
issn = {1743-9760, 1743-9779},
year = {2025},
date = {2025-04-01},
urldate = {2025-04-16},
journal = {The Journal of Positive Psychology},
pages = {1–25},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Kühnapfel, C.; Trupp, M.; Pelowski, M.; Fingerhut, J.
On the Impact of Public Art: How Engaging a Pedestrian-level Exhibition Improves Neighbourhood Connectedness and Well-being Journal Article
In: Wellbeing, Space and Society, pp. 100252, 2025, ISSN: 26665581.
@article{Kuhnapfel2025_ImpactPublicArt,
title = {On the Impact of Public Art: How Engaging a Pedestrian-level Exhibition Improves Neighbourhood Connectedness and Well-being},
author = {C. Kühnapfel and M. Trupp and M. Pelowski and J. Fingerhut},
url = {https://linkinghub.elsevier.com/retrieve/pii/S2666558125000181},
doi = {10.1016/j.wss.2025.100252},
issn = {26665581},
year = {2025},
date = {2025-03-01},
urldate = {2025-03-20},
journal = {Wellbeing, Space and Society},
pages = {100252},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Mendhakar, Akshay; Płużyczka, Monika; Leder, Helmut
Effects of graphic organizers on aesthetic reading experience Journal Article
In: Frontiers in Language Sciences, vol. 4, pp. 1472429, 2025, ISSN: 2813-4605.
@article{Mendhakar2025_EffectsGraphicOrganizers,
title = {Effects of graphic organizers on aesthetic reading experience},
author = {Akshay Mendhakar and Monika Płużyczka and Helmut Leder},
url = {https://www.frontiersin.org/articles/10.3389/flang.2025.1472429/full},
doi = {10.3389/flang.2025.1472429},
issn = {2813-4605},
year = {2025},
date = {2025-03-01},
urldate = {2025-03-17},
journal = {Frontiers in Language Sciences},
volume = {4},
pages = {1472429},
abstract = {The aesthetics of reading have received relatively little research attention, particularly in the context of foreign language readers. In this study, we investigate the impact of text mining-powered graphic organizers (GOs) on aesthetic reading experience with English as a foreign language (EFL) readers. Shusterman's framework of aesthetics was applied to measure reading comprehension, experience, and literary beauty perception. A between-group experiment design (
N = 52) was conducted, where Norwegian students enrolled in the International Baccalaureate classes of Lillestrøm High School were recruited. Participants in the experimental condition interacted with GOs before reading the first three chapters of English versions of
Pride & Prejudice
, while those in the control condition solely read the same texts without interacting with GOs. A statistically significant enhancement in comprehension scores across all subdomains —summarization, vocabulary, and overall comprehension—was associated with the use of GOs. However, the introduction of GOs did not improve or hinder the reading experience or the perceived literary beauty of the text. These findings highlight the efficacy of automatically extracted GOs in improving specific aspects of the aesthetic reading experience. The implications of such findings for individual domains of reading aesthetics and foreign language readers are discussed.},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
The aesthetics of reading have received relatively little research attention, particularly in the context of foreign language readers. In this study, we investigate the impact of text mining-powered graphic organizers (GOs) on aesthetic reading experience with English as a foreign language (EFL) readers. Shusterman’s framework of aesthetics was applied to measure reading comprehension, experience, and literary beauty perception. A between-group experiment design (
N = 52) was conducted, where Norwegian students enrolled in the International Baccalaureate classes of Lillestrøm High School were recruited. Participants in the experimental condition interacted with GOs before reading the first three chapters of English versions of
Pride & Prejudice
, while those in the control condition solely read the same texts without interacting with GOs. A statistically significant enhancement in comprehension scores across all subdomains —summarization, vocabulary, and overall comprehension—was associated with the use of GOs. However, the introduction of GOs did not improve or hinder the reading experience or the perceived literary beauty of the text. These findings highlight the efficacy of automatically extracted GOs in improving specific aspects of the aesthetic reading experience. The implications of such findings for individual domains of reading aesthetics and foreign language readers are discussed.
N = 52) was conducted, where Norwegian students enrolled in the International Baccalaureate classes of Lillestrøm High School were recruited. Participants in the experimental condition interacted with GOs before reading the first three chapters of English versions of
Pride & Prejudice
, while those in the control condition solely read the same texts without interacting with GOs. A statistically significant enhancement in comprehension scores across all subdomains —summarization, vocabulary, and overall comprehension—was associated with the use of GOs. However, the introduction of GOs did not improve or hinder the reading experience or the perceived literary beauty of the text. These findings highlight the efficacy of automatically extracted GOs in improving specific aspects of the aesthetic reading experience. The implications of such findings for individual domains of reading aesthetics and foreign language readers are discussed.
Jonauskaite, Domicele; Gierlinger, Nina; Geiger, Klara; Busse, Claudia; Frick, Aline; Mohr, Christine; Leder, Helmut
Non-visual colour: A qualitative study of how the totally blind and an achromatope navigate colour in the sighted world Journal Article
In: Acta Psychologica, vol. 253, pp. 104682, 2025, ISSN: 00016918.
@article{jonauskaite_non-visual_2025,
title = {Non-visual colour: A qualitative study of how the totally blind and an achromatope navigate colour in the sighted world},
author = {Domicele Jonauskaite and Nina Gierlinger and Klara Geiger and Claudia Busse and Aline Frick and Christine Mohr and Helmut Leder},
url = {https://linkinghub.elsevier.com/retrieve/pii/S0001691824005602},
doi = {10.1016/j.actpsy.2024.104682},
issn = {00016918},
year = {2025},
date = {2025-03-01},
urldate = {2025-01-21},
journal = {Acta Psychologica},
volume = {253},
pages = {104682},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Schmid, Franz Roman; Crone, Julia Sophia
A shift towards more precision: Addressing the profound implications of brain shift in model-based planning for ultrasonic brain stimulation Journal Article
In: Brain Stimulation, pp. S1935861X25000440, 2025, ISSN: 1935861X.
@article{schmid_shift_2025,
title = {A shift towards more precision: Addressing the profound implications of brain shift in model-based planning for ultrasonic brain stimulation},
author = {Franz Roman Schmid and Julia Sophia Crone},
url = {https://linkinghub.elsevier.com/retrieve/pii/S1935861X25000440},
doi = {10.1016/j.brs.2025.02.013},
issn = {1935861X},
year = {2025},
date = {2025-02-01},
urldate = {2025-02-24},
journal = {Brain Stimulation},
pages = {S1935861X25000440},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Rambhoros, Mizan; Neutra, Raymond Richard; Cerarols, Rosa; Pelowski, Matthew
In: Frontiers in Built Environment, vol. 10, pp. 1504553, 2025, ISSN: 2297-3362.
@article{rambhoros_operationalising_2025,
title = {Operationalising “loveability”: an interdisciplinary approach to enriching quality of life experiences in cities through creative cultural spaces},
author = {Mizan Rambhoros and Raymond Richard Neutra and Rosa Cerarols and Matthew Pelowski},
url = {https://www.frontiersin.org/articles/10.3389/fbuil.2024.1504553/full},
doi = {10.3389/fbuil.2024.1504553},
issn = {2297-3362},
year = {2025},
date = {2025-01-01},
urldate = {2025-05-05},
journal = {Frontiers in Built Environment},
volume = {10},
pages = {1504553},
abstract = {Loveability represents an emerging answer for enriching urban quality of life. The idea prioritises city dwellers’ emotional connections with psycho-spatial aspects of cities, beyond mere infrastructure, functionality, or services (“liveability”), which may not fully support positive wellbeing, especially in European cities. However, due to shifting, largely theoretical definitions and arguments for an unquantifiable nature, questions remain as to how people themselves think and feel about loveability within actual urban spaces. Here, for the first time we assessed how people quantify loveability, within two creative cultural or “third places:” MuseumsQuartier Haupthof in Vienna, Austria and Plaça de Joan Coromines in Barcelona, Spain. Based on a literature review, we identified potential psychological and spatial aspects associated with loveability and created a survey administered on-site to participants (N = 244) recruited from among foot traffic in our study settings. Participants rated spaces for liveability and loveability in their general experience of the places, and then defined how they had rated the “loveability” aspect via the importance of 55-items. Participants considered both places as loveable and contributing to positive wellbeing. Exploratory Factor Analysis and multiple regression models led to 5 factors for each population that highlighted groupings of significant psychological versus spatial dimensions. The distribution pattern showed commonalities of mostly psychological (e.g., delight/fascination, community, restorative wellness) but fewer spatial (usage/functionality) aspects across both settings. Our findings demonstrate that loveability plays a role in serving individuals’ delight and wellbeing, and insights of “accessibility,” “inclusivity,” and “order” may inform urban planning strategies and placemaking.},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Loveability represents an emerging answer for enriching urban quality of life. The idea prioritises city dwellers’ emotional connections with psycho-spatial aspects of cities, beyond mere infrastructure, functionality, or services (“liveability”), which may not fully support positive wellbeing, especially in European cities. However, due to shifting, largely theoretical definitions and arguments for an unquantifiable nature, questions remain as to how people themselves think and feel about loveability within actual urban spaces. Here, for the first time we assessed how people quantify loveability, within two creative cultural or “third places:” MuseumsQuartier Haupthof in Vienna, Austria and Plaça de Joan Coromines in Barcelona, Spain. Based on a literature review, we identified potential psychological and spatial aspects associated with loveability and created a survey administered on-site to participants (N = 244) recruited from among foot traffic in our study settings. Participants rated spaces for liveability and loveability in their general experience of the places, and then defined how they had rated the “loveability” aspect via the importance of 55-items. Participants considered both places as loveable and contributing to positive wellbeing. Exploratory Factor Analysis and multiple regression models led to 5 factors for each population that highlighted groupings of significant psychological versus spatial dimensions. The distribution pattern showed commonalities of mostly psychological (e.g., delight/fascination, community, restorative wellness) but fewer spatial (usage/functionality) aspects across both settings. Our findings demonstrate that loveability plays a role in serving individuals’ delight and wellbeing, and insights of “accessibility,” “inclusivity,” and “order” may inform urban planning strategies and placemaking.
2024
Rodriguez-Boerwinkle, Rebekah M.; Specker, Eva
Building Bridges: The Importance of Bringing Together the Empirical Sciences & the Humanities Journal Article
In: Itinera, no. 28, 2024, ISSN: 2039-9251.
@article{rodriguez-boerwinkle_building_2024,
title = {Building Bridges: The Importance of Bringing Together the Empirical Sciences & the Humanities},
author = {Rebekah M. Rodriguez-Boerwinkle and Eva Specker},
url = {https://riviste.unimi.it/index.php/itinera/article/view/27833},
doi = {10.54103/2039-9251/27833},
issn = {2039-9251},
year = {2024},
date = {2024-12-01},
urldate = {2025-01-16},
journal = {Itinera},
number = {28},
abstract = {In the 21st century, where digital advancements change how we perceive art and aesthetics, there is a need to examine how empirical sciences and the humanities can collaboratively explore these complexities. This paper highlights the reciprocal relationship between these fields, arguing that a fusion of empirical methods and philosophical inquiry can lead to a more comprehensive understanding of aesthetics in the digital age. Empirical sciences bring robust tools for quantifying human experiences, yet they often reduce complex phenomena to measurable parts, potentially missing nuances captured by the humanities. Conversely, the humanities provide deep conceptual insights, but these can benefit from empirical grounding to enhance their applicability and relevance. This interdisciplinary approach is illustrated through the study of digital aesthetics, particularly focusing on the challenges of understanding art and aesthetics across varied human perceptions. Additionally, this paper explores the evolving concept of authorship in the digital age, complicated by AI-generated art and digital mediums. By bridging the strengths of both disciplines, the authors advocate for a more nuanced and evidence-based understanding of these contemporary issues, emphasizing the importance of collaboration in navigating the digital landscape's complexities.},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
In the 21st century, where digital advancements change how we perceive art and aesthetics, there is a need to examine how empirical sciences and the humanities can collaboratively explore these complexities. This paper highlights the reciprocal relationship between these fields, arguing that a fusion of empirical methods and philosophical inquiry can lead to a more comprehensive understanding of aesthetics in the digital age. Empirical sciences bring robust tools for quantifying human experiences, yet they often reduce complex phenomena to measurable parts, potentially missing nuances captured by the humanities. Conversely, the humanities provide deep conceptual insights, but these can benefit from empirical grounding to enhance their applicability and relevance. This interdisciplinary approach is illustrated through the study of digital aesthetics, particularly focusing on the challenges of understanding art and aesthetics across varied human perceptions. Additionally, this paper explores the evolving concept of authorship in the digital age, complicated by AI-generated art and digital mediums. By bridging the strengths of both disciplines, the authors advocate for a more nuanced and evidence-based understanding of these contemporary issues, emphasizing the importance of collaboration in navigating the digital landscape’s complexities.
Dehove, Margot; Mikuni, Jan; Podolin, Nikita; Leder, Helmut; Oberzaucher, Elisabeth
The Impact of Urban art on Wellbeing: A Laboratory Study Journal Article
In: Empirical Studies of the Arts, pp. 02762374241298878, 2024, ISSN: 0276-2374.
@article{zotero-3806,
title = {The Impact of Urban art on Wellbeing: A Laboratory Study},
author = {Margot Dehove and Jan Mikuni and Nikita Podolin and Helmut Leder and Elisabeth Oberzaucher},
url = {https://doi.org/10.1177/02762374241298878},
doi = {10.1177/02762374241298878},
issn = {0276-2374},
year = {2024},
date = {2024-12-01},
journal = {Empirical Studies of the Arts},
pages = {02762374241298878},
keywords = {},
pubstate = {published},
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Cabbai, Giulia; Kühnapfel, Corinna; Fingerhut, Joerg; Kaltwasser, Laura; Prinz, Jesse; Pelowski, Matthew
Emotion, embodiment, and aesthetic appraisal: The impact of interoceptive abilities and art type. Journal Article
In: Psychology of Aesthetics, Creativity, and the Arts, 2024, ISSN: 1931-390X, 1931-3896.
@article{Cabbai2024_EmotionEmbodimentAesthetic,
title = {Emotion, embodiment, and aesthetic appraisal: The impact of interoceptive abilities and art type.},
author = {Giulia Cabbai and Corinna Kühnapfel and Joerg Fingerhut and Laura Kaltwasser and Jesse Prinz and Matthew Pelowski},
url = {https://doi.apa.org/doi/10.1037/aca0000716},
doi = {10.1037/aca0000716},
issn = {1931-390X, 1931-3896},
year = {2024},
date = {2024-12-01},
urldate = {2024-12-16},
journal = {Psychology of Aesthetics, Creativity, and the Arts},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
Pelowski, Matthew; Cotter, Katherine N.; Miller, Stephanie; Leder, Helmut
Framing Wellbeing and Societal Challenge Mechanisms via Distinct Outcomes of Art Experience? A Brief Revisit to the VIMAP Journal Article
In: Physics of Life Reviews, pp. S1571064524001738, 2024, ISSN: 15710645.
@article{Pelowski2024_FramingWellbeingSocietal,
title = {Framing Wellbeing and Societal Challenge Mechanisms via Distinct Outcomes of Art Experience? A Brief Revisit to the VIMAP},
author = {Matthew Pelowski and Katherine N. Cotter and Stephanie Miller and Helmut Leder},
url = {https://linkinghub.elsevier.com/retrieve/pii/S1571064524001738},
doi = {10.1016/j.plrev.2024.12.004},
issn = {15710645},
year = {2024},
date = {2024-12-01},
urldate = {2024-12-10},
journal = {Physics of Life Reviews},
pages = {S1571064524001738},
keywords = {},
pubstate = {published},
tppubtype = {article}
}